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P.-J. Proudhon, “The Miserere” (1845)
On ordinary Sundays, for about three-quarters of the year, the Miserere serves as the introit, or, as one might say, the entrance to the mass. The celebrant, before making the lustral sprinkling, a ceremony preserved from the pagan ritual (among the Jews the sprinkling was done with blood), intones the seventh verse, Asperges me; the choir finishes the antiphon, and all the people respond: Miserere. Neither of them know what they are saying: isn’t it time to teach them? […]