1788

In the opening pages of Sylvain Maréchal’s play, The Last Judgment of Kings, we find the following notice: [one_half padding=”0 10px 0 0px”] L’idée de cette pièce est prise dans l’Apologue suivant, faisant partie des […]

In those days, a young king was inclined to dissipation, even to villainy; it was a hereditary vice. The états-généraux, natural guardians of the sovereign, who had never been emancipated from them, assembled & agreed on a means of correcting the young prince. […]

In those days, a young king was inclined to dissipation, even to villainy; it was a hereditary vice. The états-généraux, natural guardians of the sovereign, who had never been emancipated from them, assembled & agreed on a means of correcting the young prince. One day, when he had abandoned himself completely to his foul penchants, and was plunged into a deep sleep, they seized his royal person; from his palace, they transported him on a litter, still sleeping, to a stable. […]

In those times there was an arrogant king, who believed himself molded from a different clay than those who were prepared to obey him. The senate, placed between him & and the people, in order to serve as a mediator, assembled, & agreed to reprimand to him on this subject. […]

In those days, a stranger, entering the capital city of a great Empire, heard the tocsin sound for a long time. He questioned the people of the city, wishing to know what misfortune had occurred. Had there been a fire somewhere? […]

Thus far, the mythologists have misreported the allegorical history of Prometheus. Here are the facts: that ingenious artist of antiquity, having kneaded clay in water, made from it several figures of men, which he animated with the elemental fire. He took great pleasure in his work, like a father in his children. […]