Ravachol spent his life as a sort of criminal jack-of-all-trades—smuggler, counterfeiter, grave-robber, murderer, bomber—and then, at the end of that career, was made a secular saint, “the violent Christ of anarchy.” And he was hardly the only one of the illegalists and attentateurs who was subsequently mythologized. Indeed, in the long war between anarchists and the agents of capitalism and the state, mythology has been a tool used on both sides. The items collected here are drawn from that war and are part of a literature in which history and myth are often inextricable. The collection includes items previously contained in the archives Relics of Saint-Ravachol and A Beautiful Nihilist.
The Anti-Anarchist Bomb-proof Clockwork Substitute Ruler (1898)
Punch (October 29, 1898): 203. IN the gallery of the Fine-Art Society may be seen a number of drawings made in Spain by Mr. E. George, the able architectural etcher and draughtsman. As might be […]